I’m BACK! Good grief… I have never had such a busy start to a year. But, I’m not complaining! It’s all been very creative. Buffoonery workshops, a conference, teaching, scene study, a film shoot (more on that), and writing, but, alas, not here.

At the end of 2011, I accepted to become an official blogger for the Greater Vancouver Professional Theatre Alliance and amidst all the yummy creative chaos of January I managed to see some theatre and also do some writing. I’d like to share my recent posts with you here, if you would like to read them.

Vive Le Bouffon

It’s the love scene in “All’s Well That Ends Well” by Shakespeare. I’m playing the boy. My partner is playing the girl. And, we’re both bouffons. The production is en Francais and we’re having a ball mocking this scene, as bouffons do. Ce n’est qu’un plaisir!

I come off stage for my next change, back into a “normal” character and realize how free I feel. I also realize that my devilish inner voice that taunts me, tells me I’m not good enough, has been flushed into the outer world. Nowhere near me.

Read the rest of the article on GVPTA’s blog

On The Topic of Rehearsing

Last Saturday evening I went to witness the current VanArts (formerly the William Davis Centre) acting students’ presentation of their “rehearsal project” taught by Dave Mott and Daniel Martin. Since I had also taught this group, I wanted to support their first public appearance. The 10 students were guided through the play “The Hologram Theory” by Jessica Goldberg. The goal of this class is to teach the students how to rehearse effectively.

Effectively – just what is that?

Read the rest of the article on GVPTA’s blog

Traces… Their Truth?

Brush strokes, tattoos, video testimonials, life scars, legacies….. These are a few of the traces I pondered after watching Théâtre la Seizième’s original production “Traces”, directed (& created by) Craig Holzschuh and Anita Rochon, with collaboration by Gilles Poulin-Denis, (stage manager, Noa Anatot; set design: Julie Marten; lighting: Jeremy Baxter; music, Steve Charles; video, Corwin Ferguson) recently on at Studio 16 in Vancouver.

Coming from a family of artists – father, painter & potter – mother, fibre artist, I was always aware of the marks they were leaving in the world. I was in admiration of their visual contribution that will remain long after they are gone. It made me wonder about my contribution.

Read the rest of the article on GVPTA’s blog

The EveryDay as Drama: “El Pasado Es Un Animal Grotesco”

This January has been unusually busy. Therefore, I didn’t get to see as many shows during the PuSH Festival as I had dreamed of doing, but I was fortunate to witness “El Pasado..” by Mariano Pensotti. Ironically, unbeknownst to me, the only show I saw last year at the PuSH was by the same author, “La Marea” on the street in Gastown. In hindsight, I can certainly see a similar energy, style and observation of everyday life.

Everyday life – something we don’t necessarily see as dramatic, theatrical fodder to present. In the filmmaking world, Alfred Hitchcock quoted: “Drama is life with the dull bits cut out”. When I hear that, I suspect the “dull bits” are what occurs in the everyday, the quotidian, that aren’t featured in dramatic story telling. How many scenes do you see people scratching off their to-do list, changing the toilet paper, clearing the fog off the mirror after a shower, washing their coffee pot, ironing, writing a note, humping a pillow…..

Read the rest…. well, you get it now! HERE

Feel free to share any of your thoughts…. Would love to hear them.