You are currently browsing the category archive for the ‘Theatre’ category.
Today March 27 World Theatre Day celebrates it’s 50th anniversary with a succinct & pertinent speech by John Malkovich. Fifty years….. It’s amazing that fifty years later there are so many people who still aren’t aware of this celebration.
I took it on as a mission today to make sure that a whole bunch of people would become enlightened by a simple gesture. I made my sign. Put on my runners and a smile. Then hit the streets with no fanfare.
It worked! One person CAN make a difference.
I had conversations about theatre, plays, musicals, husbands who won’t go, time that doesn’t allow, people who loved theatre in Europe, good memories, the politics (especially recently) and I even made some play suggestions that were received positively. I We all laughed. I felt happy as I brought smiles to people….(isn’t that sort of live theatre?) Some cars honked and the drivers gave me the thumbs up.
Now, back at home I feel good that I stirred up a little bit in my quiet community. The dry cleaning man said, “Why isn’t there a parade?” Well… maybe next year, I’ll instigate a parade!
You in?
Here are some people I met who didn’t know about WTD (except one…guess who?)
I dedicate this World Theatre Day to those who continue to make theatre despite the trials & tribulations, and this world of high technology. Vive Le Theatre… Nous allons continuer!
(did you guess the one person who knew about World Theatre Day?)
I’m BACK! Good grief… I have never had such a busy start to a year. But, I’m not complaining! It’s all been very creative. Buffoonery workshops, a conference, teaching, scene study, a film shoot (more on that), and writing, but, alas, not here.
At the end of 2011, I accepted to become an official blogger for the Greater Vancouver Professional Theatre Alliance and amidst all the yummy creative chaos of January I managed to see some theatre and also do some writing. I’d like to share my recent posts with you here, if you would like to read them.
Vive Le Bouffon
It’s the love scene in “All’s Well That Ends Well” by Shakespeare. I’m playing the boy. My partner is playing the girl. And, we’re both bouffons. The production is en Francais and we’re having a ball mocking this scene, as bouffons do. Ce n’est qu’un plaisir!
I come off stage for my next change, back into a “normal” character and realize how free I feel. I also realize that my devilish inner voice that taunts me, tells me I’m not good enough, has been flushed into the outer world. Nowhere near me.
Read the rest of the article on GVPTA’s blog
On The Topic of Rehearsing
Last Saturday evening I went to witness the current VanArts (formerly the William Davis Centre) acting students’ presentation of their “rehearsal project” taught by Dave Mott and Daniel Martin. Since I had also taught this group, I wanted to support their first public appearance. The 10 students were guided through the play “The Hologram Theory” by Jessica Goldberg. The goal of this class is to teach the students how to rehearse effectively.
Effectively – just what is that?
Read the rest of the article on GVPTA’s blog
Traces… Their Truth?
Brush strokes, tattoos, video testimonials, life scars, legacies….. These are a few of the traces I pondered after watching Théâtre la Seizième’s original production “Traces”, directed (& created by) Craig Holzschuh and Anita Rochon, with collaboration by Gilles Poulin-Denis, (stage manager, Noa Anatot; set design: Julie Marten; lighting: Jeremy Baxter; music, Steve Charles; video, Corwin Ferguson) recently on at Studio 16 in Vancouver.
Coming from a family of artists – father, painter & potter – mother, fibre artist, I was always aware of the marks they were leaving in the world. I was in admiration of their visual contribution that will remain long after they are gone. It made me wonder about my contribution.
Read the rest of the article on GVPTA’s blog
The EveryDay as Drama: “El Pasado Es Un Animal Grotesco”
This January has been unusually busy. Therefore, I didn’t get to see as many shows during the PuSH Festival as I had dreamed of doing, but I was fortunate to witness “El Pasado..” by Mariano Pensotti. Ironically, unbeknownst to me, the only show I saw last year at the PuSH was by the same author, “La Marea” on the street in Gastown. In hindsight, I can certainly see a similar energy, style and observation of everyday life.
Everyday life – something we don’t necessarily see as dramatic, theatrical fodder to present. In the filmmaking world, Alfred Hitchcock quoted: “Drama is life with the dull bits cut out”. When I hear that, I suspect the “dull bits” are what occurs in the everyday, the quotidian, that aren’t featured in dramatic story telling. How many scenes do you see people scratching off their to-do list, changing the toilet paper, clearing the fog off the mirror after a shower, washing their coffee pot, ironing, writing a note, humping a pillow…..
Read the rest…. well, you get it now! HERE
Feel free to share any of your thoughts…. Would love to hear them.
World Theatre Day has rolled around again – where did that year go?
This year I would like to acknowledge playwright Landford Wilson, who passed away March 24, 2011. His name conjures up special memories as one of his plays was my first foray onto a professional stage.
Pulitzer prize winner “Talley’s Folly” is a deliciously provocative two hander (2 person play) set in 1944 introducing Sally Talley, and Matt Friedman. Matt in pursuance of Sally tries to find ways to get to know her. They both have deep serious secrets and are cautious when it comes to opening up and trusting each other.
I was fortunate to be cast and spent a summer at the Victoria Playhouse, in Prince Edward Island, Canada doing repertory theatre. The Victoria Playhouse was, and still is, situated idyllically by the ocean in a tiny community. I was surrounded by inspirational nature and a lot of positive support for my first major professional role.
As Talley’s Folly took place at a gazebo by the river, the set was embellished with trees, branches, and bushes that I had to make my way through for my entrance. Every time the stage was re-dressed there seemed more and more trees for me to clamber through, expounding my first line, “MATT!!!” I think the stage hands were having fun challenging me each time. It helped my performance!
The dialogue was witty, deep, and intelligent, and had a rhythm that was pure pleasure to play with. It is a hopeful love story that strips the protective shells of Sally and Matt, in order to find their truthful depths.
Matt: “This guy told me we were eggs. … He said people are eggs. Said we had to be careful not to bang up against each other too hard. Crack our shells, never be any use again. Said we were eggs. Individuals. We had to keep separate, private. He was very protective of his shell. He said nobody ever knows what the other guy is thinking. We all got about ten tracks going at once, nobody ever knows what’s going down any given track at any given moment. So we never can really communicate. As I’m talking to you on track number three, over on track five I might be thinking about …. Oh any number of things. And when I think you’re listening to me, what are you really thinking??”
Sally: “And you think he’s right or you think he’s wrong?”
Looking back, I realize that I must have understood only certain elements by instinct as I was so young playing a thirty something. I would love to play Sally Talley again. (albeit.. an older one!)
Thank you, Landford Wilson, for this play, and many others you wrote. I dedicate this year’s World Theatre Day to you. R.I.P. Mr. Wilson….
Read more on Landford Wilson: The New York Times
Read the World Theatre Day Message
Read the Canadian Theatre Day Message
“Spectacles of Awe…”
Another fun moment this summer was seeing “Kooza” by the Cirque de Soleil. Having met clown, Ron Campbell on twitter, and then offline in L.A. last year, I was excited to see him performing live in the big tent in Vancouver.
If any of you have seen Cirque de Soleil, you understand that you need to buckle up and get ready for a big ride, and Kooza didn’t let us down!
As we entered the space, I spotted Ron as the King of Clowns interacting with the audience along with his sidekicks. I especially enjoyed the threesome as they were very bouffon like and audience members were treated to some “special” attention. Their presence came and went throughout the show, giving physical performers time to change their costumes and prepare for the next spectacle, or to just give us a break to breathe again.
Yes…we spent a lot of time holding our breaths as the physical performers took their lives into their hands with height, spinning cages, wobbly chairs, and thin wires. The whole show was a smorgasbord of pliable bodies folding in unexpected shapes, hoola-hooping beyond imagination, leaping, flipping, climbing, balancing, stacking, dancing, cycling, and impressing us the audience who, by contrast, were frozen immobile in our seats.
All acts were supported sensitively by beautiful live music made up of two voluptuous voices, and an orchestra of talented musicians.
Afterward, we were fortunate to go behind the scenes, meet a few of the performers, view some of the specially constructed equipment (done by the performers), and hear some stories. (thank you Ron!)
Cirque de Soleil has managed to harness an incredible amount of talent from the performers and creators, to all the behind the scene professionals (riggers, stage designers, costumers, lighting designers) into a spectacular ensemble that takes you on a journey of fantasy and awe.
A true entertainment escape! Have you ever experienced it?
Stay tuned for a few more summer vignettes….
(oh.. and here is a Cirque video, by Chris Wheeler, we happened to pop into that night!)
L’ÉTHÉÂTRE is a new summer cultural event celebrating media arts, visual arts and stage performance in Vancouver, Canada, produced by Regis Painchaud and Lorraine Fortin of Visions Ouest Productions.
Bien sur, most events are en Francais, but art is an international language, and these events can be enjoyed by all.
In fact, on opening night, this past Saturday a gang of …well, not exactly humans, was present and spiced things up while people enjoyed hors d’oeuvres and their pre-show socializing.
Yes… Madame Rouge (me) & her Bouffons came out to play with audience members, and with some of the other performers of the evening. (This gang loves “enhancing” special events…)
As well as creating unexpected havoc (in the funnest way possible), les bouffons held space for circus performers, Benoit Ranger and Catherine Joly of “Les Transporteurs de Reves” as they displayed an amazing routine of strength and beauty. (Us Bouffons decided they were our esteemed cousins)
Later that evening the main show contrasted our wild opening with the classy ‘Le Trio Boris’ featuring lyrics of Boris Vian, & Jacques Prévert.
This upcoming week I (not Madame Rouge) will be enjoying more of L’ÉTHÉÂTRE with a performance by ‘Le Duo Alcaz’ on Wednesday evening (July 14) at 8pm. I hope many will come and support this great new festival by Vision Ouest Productions!
(and who knows when those crazy bouffons will re-appear.. muhahaha)
Years ago I found a book called “Actors as Artists” by Jim McMullan & Dick Gautier, and gave it to my father who’s a painter. Filled with well-known actors who also paint, I thought the gift appropriate coming from his “actor-daughter”. The book revealed exciting artistic layers of those actors.
A similar opportunity presents itself with Art By Actors, an exhibition/auction at The Stanley Theatre by the Greater Vancouver Professional Theatre Alliance for World Theatre Day.
Read the rest of my article at the World Theatre Day Blog…..
Today marks World Theatre Day, and it also marks exactly one year since I started this blog. Despite being here a year, I still feel like a newbie who desires to write more frequently, and explore more (hopefully that feeling will last forever).
In the meantime, I would like to wish you all a very Happy World Theatre Day. I wish this day had the same buzz as the Olympics, but, unfortunately we live in a world where sport accomplishments seem to rise to the top, long before artistic ones. I guess it’s a number game.
However, I didn’t show up to my blog today to rant. I came here to celebrate theatre, and honour the spectacle, the liveness, the unexpected, the truth, the mistakes, the improvisation, the courage of the story, of the actors, and of the support behind the scenes.
Theatre has been in my life since I was 17 when I first got involved with costumes at the Charlottetown Festival in Prince Edward Island. I eventually became a dresser and the joke was always that “one of the performers had fallen” and “Trilby had to go on”. In my imagination, I would burst out of my dowdy pinafore and conveniently have a sequined outfit underneath. I was READY!
That scenario didn’t happen, but I did end up taking the place of one of the clowns in the children’s clown show where I was also doing the lights and audio. And, I loved it. The performing seed was planted.
My journey was seriously launched at Le Conservatoire d’Art Dramatique, in Quebec City, where I studied acting, en Francais, for three years.
Since graduation (many moons ago), I have played with lots of actors, told lots of stories in both languages, had funny things happen (remember your mustache drifting off your face, Dan?), had scary moments (oh..it’s awful to have a blank on opening night!), and had a lot of fun.
Earlier this year I was fortunate to have directed “The Memory of Water” by Shelagh Stephenson and I truly enjoyed the creative adventure. This evening, appropriately, the cast and crew are celebrating our journey together.
So, today, I dedicate World Theatre Day to them, our experience, and to all those who continue to dare to write plays, mount plays, act in plays, tour with plays, renovate old theatres, and to the audiences who continue to appreciate witnessing live theatre.
Merci, et, célébrons… keep celebrating theatre! Vive Le Théâtre!
Just recently we were in Los Angeles doing some “biz” stuff, and had the pleasure of spending some time at the Santa Monica Playhouse, Santa Monica, my favourite area of LA. Peter D. Marshall and I spent a Saturday at the Playhouse at their Main Stage having a little “Meet ‘n Greet”.
When you arrive at the Playhouse, you have no idea what awaits. You walk into a magical cave, a funky old building with doors hiding performance spaces, a European flavoured courtyard, and a vibe of valued history.
Evelyn Rudie, and Chris DeCarlo are wonderful people who have been running the Playhouse since 1973. The Playhouse, itself, has been producing, non-stop for 49 years and is headed to its 50th, if all goes well. Since Evelyn and Chris have been co-artistic directing, the Playhouse has been honoured with over 250 awards and commendations, and has presented 500 classic, contemporary, and original productions!
Things are somewhat challenging for them at the moment (who isn’t having problems in the arts?), and they have started a “Save The Playhouse” campaign to get them to the end of this year.
After, seeing this intimate treasure with its maze of lovely spaces, and a main stage drenched in theatrical vibes of a historical nature, I promised I would see if I could get a bit more of the world to know about them. And with that exposure, maybe some help would come through.
I could be criticized for not writing about something that is more local, but these days, my world feels quite global, and a theatre in need is a THEATRE in need. And, besides, I just like these guys, a lot, and it’s my blog!
And this isn’t just any theatre.
Co-Artistic Director, Chris DeCarlo, a Viet Nam veteran, said that his experiences convinced him that his mandate was to put the human back in humanity. “All of us at the Playhouse want to make a dramatic difference in our world.”
I hope they continue, because as I strolled on the boards of their “Main Stage”, I dared to speak a few words of my one-woman show I’m developing, and it felt good!
If you would like to investigate further, please see their website, and if you feel moved to contribute to their continued success, don’t hesitate (there’s a “donate” button on their site). They are super, and the kids who study there think so too!
(By the way, Evelyn Rudie was the youngest actress to ever receive a Hollywood Star on the Walk of Fame….wow!
)
I have been busy in the last few weeks juggling fall preparations with rehearsals for Shakespeare’s “As You Like It” directed by Neil Freeman for First Impressions Theatre at the Deep Cove Shaw Theatre in Deep Cove, British Columbia.
I’ve been mini-blogging with twitter but have neglected my homey blog and I’ve missed this place!!
Today: a wee note about the show.
First of all, I can’t think of a more beautiful place to be driving daily, hanging out and rehearsing – Deep Cove, British Columbia. Across the street, there is the best coffee place with the most amazing café made donuts by “Honey’s” (“sinful”- a fellow actor deliciously described them-especially the chocolate dipped ones).
Down the hilly street is the cozy cove with all the gentle kayaks, & canoes drifting around. On this main street, quietly tucked in, is also the Deep Cove Cultural Centre that houses an intimate 130-seat theatre and its active gallery.

Deep Cove
This is where we will be opening our show this Thursday, September 10, 2009. Just two days away!
Now with a few weeks of rehearsal under my belt, I can see even more how fortunate I am to have had the opportunity to jump on board with renowned director, Neil Freeman, a super fun cast of 23 to play two small parts (but significant …of course,
), and do some bouffon coaching.

Cast members embrace the bouffon process!
The process has been sheer pleasure. (isn’t that what it should be? …or do we always have to suffer for our art?…that’s another blog post!)
We have been led beautifully with tight schedules that didn’t waste anyone’s time, and we were given liberty to play, to invent, to imagine all sorts of unexpected twists, turns, dances, faces, gestures, thoughts, songs and grow together as a wacky brief Shakespearean company.
Our version of “As You Like It” is set in modern times, with a few extra twists, but stays true to the “first folio” text. Shakespeare gives us great clues to how our text should be played out, and when we get out of our 21st century language habits, the text can carry all of us along nicely.

A peek from a back stage perspective
Love, the most classic, timeless subject ever is the main flavour of “As You Like It”. The varied forms of love and the unexpected twists make this play high-spirited, & mischievous.
The set is beautifully clean with gorgeous lighting and the best looking tree ever (that’s all I’m saying!) and modern dress allows our costumer to pull from all sorts of colourful sources.
For me, I am looking forward to playing two very different characters (complete opposites!), and being part of the biggest (and coolest) team I have ever been with, and supporting our lead players who will be upholding the main energy.
We were warned that during rehearsals we were going to laugh a lot. We did but now our big wish is that YOU will too!
Come and have some frolicking fun with us from September 10 thru September 26, Wednesdays-Saturday evenings at 8pm in Deep Cove. Tickets can be purchased online or at the box office.































Recent Comments